Filed under: Key Commands | Tags: brand essence, brand meaning, branding, design, design elements, font, form, key command, logo, spacial relationships, typography
In concluding my series of key command posts, I thought I would wrap up the exercise with some thoughts on what I took away from this project. I think there were three main design concepts that arose throughout the execution of this daily design project.
1) This exercise reinforced the value of form in design. The UPS, Kinko’s, and Delta logos especially operated as tools for me to examine the form elements that encompass a design piece (in this case, logos). Examining an existing logo and breaking it down into its basic shapes in order to recreate it was a valuable exercise. Additionally, throughout this process I was continually examining spacial relations in logo development in regards to how to integrate text and image to create a meaningful and powerful brand icon.
2) Another point that I arrived at was the overall importance of good typography versus just choosing a suitable font. In the case of the Nissan logo, I was able to download the Nissan font package (thanks to the rabid fans of the brand) and with minimal adjustments to kerning and letter spacing, duplicate the logotype. However, for the rest of these it was not so easy. Especially in the case of the U-Haul and Elmer’s logos, the thrust of work I put in was to match the typography without the actual logotype at my disposal. I was able to ape all of them pretty well I think by determining key characteristics (from the obvious serif vs.sans, to more complex issues like kerning, x-height, stem width, etc.), finding base fonts that match those characteristics, and then further modifying the type as needed to more seamlessly recreate the logotype. Ultimately the lesson we take away is one we already knew: typography goes infinitely beyond font choice.
3) A third point learned from this project which one might think I had in mind beforehand, but really came to light through executing this was the ability we must have as designers to distill a brand to its essence. That’s essentially what this whole thing was about and ultimately what I love about branding. When I talk to clients I always use the analogy that Nike doesn’t sell shoes, they sell sports. In the same vein, Disney doesn’t sell movies or amusement park tickets or plush characters, they sell the magic of youth. The potential exists to spend pages upon pages writing about brand essence, lifestyle branding, the effects of brands on popular culture and so forth, but that is for another time and venue. Ultimately, on this subject, what we take away is that UPS means packages rather than shipping and delta means flight rather than meaning airline. It’s these concepts rather than products that speak to what branding is and what any given brand means. “A brand is a person’s gut feeling about a product, service, or company. It’s not what you say it is, it’s what THEY say it is.” ~Marty Neumeier, The Brand Gap
Filed under: Uncategorized | Tags: delta, design, experiment, InDesign, key command, Key Commands, logo, parody, preflight
Here we are at Day 7, signaling one week’s worth of key commands. I opted to take advantage of the 2007 Delta rebrand to convey Preflight and used this for reference. Hope you’ve enjoyed these, tomorrow I’ll be rounding up what I learned from this experiment.
Filed under: Design Resources | Tags: brand loyalty, design, key command, logo, nissan, pathfinder
I used two resources for this: Brands of the World to get the Nissan vector logo and Nissan Forums to get the Nissan font package. Based on the Nissan Forums thread, I’ll say this: Nissan owners love their cars and they love their Nissan font. Obviously, people buying and using your products and getting excited about downloading your logotype for other applications speaks volumes about brand loyalty. However, I opted to use the Nissan logo and font face rather than the actual face for the Pathfinder model. I did this because the Nissan logo is infinitely more recognizable than the Pathfinder face. This, in turn, begs the question, “If your logo is a wordmark, but the font face isn’t instantly recognizable, is it an effective mark?” Something to think about.
I’m planning on Day 7 being the final installation of the key commands project with a wrap up post of what I learned and what we, as designers, can take away from this project in regards to branding and logo development.
Filed under: Key Commands | Tags: design, f1, help, key command, logo, parody, project, rescue me, tv
Pretty universal key command no? I based this on the Rescue Me TV show logo that I found here. I honestly didn’t anticipate doing anything that wasn’t vector based when I started this project, so this was something fun and different. I used Copperplate Gothic Bold as a template for the font and then clone stamped the texture to match the look of the original. A little bit of dodging and burning and a big fat drop shadow and there you have it.
This is another pretty obvious one and it could have just as easily been ctrl + p. I opted to leave out the FedEx portion and ignore the merger/ re-brand in order to make this read most clearly.
Filed under: Key Commands | Tags: elmer's, franklin gothic medium, iphone apps, key command, logo, parody, paste
I know this one is pretty obvious but I think it turned out nicely and fits the bill as far as the theme is concerned. For yesterday’s post I totally recreated the UPS logo, which was a nice exercise. This one I just live traced. I think the most fun for me, as I’m pretty much a typography junkie, is figuring out what all these corporate fonts are. For this I think I got it pretty close by using Franklin Gothic Medium Italic and putting a thick stroke on it. I customized the “R” as well. The actual Elmer’s font is a little more rounded and cartoony, but I think this reads pretty closely.
This process would be really streamlined if I had an iPhone and this application.
UPDATE: Dan Gerard/ Johnny FoodStamp / Gerry Keppel sent me this link: http://new.myfonts.com/WhatTheFont/, which is the online version of the aforementioned iPhone app. I haven’t had a chance to use it, but Keppel says, “It’s pretty cool, you take a picture, box off the text you want to use and then confirm what each character is.” He used it to figure out his Office Space poster is in Corporate S SC medium.




