Filed under: Logo Design | Tags: branding, custom, design, ferraro, font, gray, green, grey, initials, leigh, lettering, logo, mark, monogram, seamstress, stitch, typography
I recently completed a logo for a good friend of mine who needed an identity for her freelancing. I played on the concept of stitching as I created a monogram and custom font. This was featured over at logogala.com recently as well.
Filed under: Uncategorized | Tags: color, design, illustration, invitation, letterforms, print, providence connections, typography
Last week I was working on an invitation for non-profit organization Providence Connections. The event they are putting on is called “The Family Tree of Life.” I was given the direction that they wanted to play on the tree concept and wanted the invite to be very colorful. With that in mind I went ahead and did some illustration work including the above “Tree typography.” The folks at PC were really pleased with the final invite and i was more than happy to do some neat, colorful illustration.
Filed under: wallpaper | Tags: airplot, distortion, earth, field, green, land, plot, roughen, typography, vector, wallpaper
So it may be the second, but here is your first chance at some June wallpaper I created. The font is completely original and I worked it quite a bit to get this patchwork/tilled field sort of look. Upon finishing it, it is a little reminiscent to me of the recent Airplot logo redesign. Let me know your thoughts or otherwise feel free to download away and green up your desktop.
Filed under: Art, Design Resources, Graphic Design Humor | Tags: Charlie Brown, Comic Sans, font, humor, lettering, style, typography
Filed under: typography | Tags: 40 oz, brian cooper, comedy, convenience store, humor, six packs, typography
Last night while “shopping” at Brian Cooper Food Mart I saw the above sign and found it hilarious. For those not in the know, Brian Cooper is a shady convenience store in Pittsburgh’s Friendship neighborhood that inexplicably has a bar in it specializing in 40 ouncers and six packs. Everyone enjoy their Friday!
Filed under: branding, Logo Design | Tags: branding, color, concept, design, idea, logo, process, re-branding, typography

Today on Abduzeedo, Fabio Sasso presents a really great article on his re-branding process. The article features sketches, commentary on his research and ultimately a really great logo that resulted from an organized and pointed design process.
I find myself daily talking about and iterating the importance of concept in design. Whether it be a logo, a direct mail piece, a brochure or anything, it is ultimately your conept that drives your design. It is your idea that ultimately facilitates the outcome.
Filed under: Art, typography | Tags: delaware, design studio, fonts, House Industries, show and tell, type foundry, typography
House Industries is a type foundry and design studio based in Delaware that produces consistently tremendous quality work. Everything from their fonts to their book layouts, to their pieces of merchandise is just visually stunning. I highly, highly reccomend adding House Industries Show and Tell to your blogroll. They literally never dissapoint.




Filed under: Key Commands | Tags: brand essence, brand meaning, branding, design, design elements, font, form, key command, logo, spacial relationships, typography
In concluding my series of key command posts, I thought I would wrap up the exercise with some thoughts on what I took away from this project. I think there were three main design concepts that arose throughout the execution of this daily design project.
1) This exercise reinforced the value of form in design. The UPS, Kinko’s, and Delta logos especially operated as tools for me to examine the form elements that encompass a design piece (in this case, logos). Examining an existing logo and breaking it down into its basic shapes in order to recreate it was a valuable exercise. Additionally, throughout this process I was continually examining spacial relations in logo development in regards to how to integrate text and image to create a meaningful and powerful brand icon.
2) Another point that I arrived at was the overall importance of good typography versus just choosing a suitable font. In the case of the Nissan logo, I was able to download the Nissan font package (thanks to the rabid fans of the brand) and with minimal adjustments to kerning and letter spacing, duplicate the logotype. However, for the rest of these it was not so easy. Especially in the case of the U-Haul and Elmer’s logos, the thrust of work I put in was to match the typography without the actual logotype at my disposal. I was able to ape all of them pretty well I think by determining key characteristics (from the obvious serif vs.sans, to more complex issues like kerning, x-height, stem width, etc.), finding base fonts that match those characteristics, and then further modifying the type as needed to more seamlessly recreate the logotype. Ultimately the lesson we take away is one we already knew: typography goes infinitely beyond font choice.
3) A third point learned from this project which one might think I had in mind beforehand, but really came to light through executing this was the ability we must have as designers to distill a brand to its essence. That’s essentially what this whole thing was about and ultimately what I love about branding. When I talk to clients I always use the analogy that Nike doesn’t sell shoes, they sell sports. In the same vein, Disney doesn’t sell movies or amusement park tickets or plush characters, they sell the magic of youth. The potential exists to spend pages upon pages writing about brand essence, lifestyle branding, the effects of brands on popular culture and so forth, but that is for another time and venue. Ultimately, on this subject, what we take away is that UPS means packages rather than shipping and delta means flight rather than meaning airline. It’s these concepts rather than products that speak to what branding is and what any given brand means. “A brand is a person’s gut feeling about a product, service, or company. It’s not what you say it is, it’s what THEY say it is.” ~Marty Neumeier, The Brand Gap




