Filed under: Art | Tags: American, Art, design, drawing, illustration, Inspiration, Peter Driben, pinup, retro, vintage, women
* As a disclaimer, I am well aware that I have been very light on the amount of posts on this blog and wanted to let readers know that this lack of regular posting is a byproduct of my work to redesign the Schweitz Design blog as well as my own portfolio site. That being said, the recent post of pinups from Rolf Armstrong were pretty popular and I have another collection from American pinup great Peter Driben. Enjoy.
From the Wiki:
Peter Driben, an American pin-up artist, was perhaps one of the most productive pin-up artists of the 1940s and 1950’s . Although both Alberto Vargas and Gil Elvgren have extensive catalogues of work, neither came close to the output of Driben. Driben’s pinups delighted the American public from the beginning of World War II until the great baby boom of the 1950s.
Born in Boston, Driben studied at Vesper George Art School before moving to Paris (circa 1925). While taking classes at the Sorbonne in 1925, he began a series of highly popular pen-and-ink drawings of the city’s showgirls. His first known pin-up was the cover to Tattle Tales in October 1934, and by 1935 he was producing covers for Snappy, Pep, New York Nights, French Night Life and Caprice. Driben’s popularity continued to rise in the late thirties with covers for Silk Stocking Stories, Gay Book, Movie Merry-Go-Round and Real Screen Fun.
Driben’s career expanded into advertisting with his move to New York in late 1936. He created original three-dimensional die-cut window displays for Philco Radios, Cannon Bath Towels, and the Weber Baking Company. Perhaps his most famous work being the original posters and publicity artwork for The Maltese Falcon. Peter Driben was also a close friend of publisher Robert Harrison, and in 1941 was contracted to produce covers for Harrison’s new magazine Beauty Parade. Driben went on to paint hundreds of covers for that publication and for the other seven titles Harrison was to launch – Flirt, Whisper, Titter, Wink, Eyeful, Giggles, and Joker . Driben would often have as many as six or seven of his covers being published every month. Driben’s work for Harrison established him as one of America’s most recognized and successful pin-up and glamour artists. Just before he began to work for Harrison, Driben married the artist, actress and poet, Louise Kirby.
In 1944 he was offered the the unusual opportunity, for a pin-up artist, of becoming the art director of the New York Sun, a post he retained until 1946. During the war, his popular painting of American soldiers raising the flag at Iwo Jima sparked a considerable amount of media attention.
In 1956, Driben and Louise moved to Miami Beach, where he spent his retirement years painting portraits (including one of Dwight D. Eisenhower) and other fine-art works, which were organized into successful exhibitions by his wife. Driben died in 1975, Louise in 1984.
Filed under: Logo Design | Tags: arrangement, basketball, concept, event branding, logo, march madness, ncaa, organization, style, tournament, women
After yesterday’s post on the Men’s side of the NCAA tournament logos I thought today I’d feature the womens’. All i can say is wow, the disparity between the two groups is ridiculous. I’m not entirely sure how the NCAA is structured, but the women’s side has significantly better logos across the board.
I’m especially fond of the Tampa Bay logo and the clever incorporation of the basketball – subtle, yet noticeable and very well executed. Additionally, the St. Louis logo really forces the perspective on the arch and acheives something new and dynamic with a recognizable and well-known icon of that city.
The best comparison groups highlighting the disparity between the men’s and women’s logos are the Indianapolis and New Orleans logos. The men’s Indy logo was trite and one might say shabby, but the women’s puts together a lovely package of venue and skyline and stylized basketball. The women’s New Orleans logo works on the same concepts as the men’s but it’s infinitely better organized and simply works much better.
Filed under: Uncategorized | Tags: advertisements, girls, illustration, pinup, reference, vintage, women
Why I Became an Artist from Print Magazine features a short, funny article about the art trade as well as a huge Flickr pool of vintage ads featuring illustrated women. Really great, classic stuff.
I found it via Quipsologies.